- Buena Vista Social Club Songs
- Buena Vista Social Club Full Album
- Buena Vista Social Club Wiki
- Buena Vista Social Club Wikipedia
- Buena Vista Social Club Music
Mar 02, 2018 Clocks Coldplay /Igor Marinow fan club IGOR MARINOW. Buena Vista Social Club - Full album - Duration: 1:00:02. Buena Vista Social Club; Album: 2006 - Rhythms Del Mundo - Cuba Buena Vista Social Club; Album: 2006 - Rhythms Del Mundo - Cuba We've been hard at work on the new YouTube, and it's better than ever.
Paroles de 'Clocks (Latin V2 Remix)' par Amonn Feat. Lights go out and I can't be saved / Tides that I tried to swim against / You've put me down upon my knees. Clocks - Buena Vista Social Club Version by javinovsky. Coldplay feat Buena Vista Social Club salsa remix Clocks by BankowyRallyTeam. In 2006 nam Buena Vista Social Club een album op waarop ze samenwerkten met een aantal grote artiesten waaronder bijvoorbeeld U2, Artic Monkeys, Maroon 5 en Jack Johnson en ook Coldplay dus. Hun nummer Clocks kreeg een samba sausje en dat smaakt heerlijk. Mar 18, 2015.
. Coldplay singles chronology ' (2002) ' Clocks' (2003) ' (2003) ' (2002) 'Clocks' (2003) ' (2003) Music video on 'Clocks' is a song by British band. It was written and composed, as a collaboration between all the members of the band, for their second album. Built around a piano, the song features cryptic lyrics concerning themes of contrast and urgency. Several remixes of the track exist and its riff has been widely.
'Clocks' is considered by some to be one of the greatest songs ever created. The record debuted to critical and commercial success, with critics mainly commenting on the song's piano melody. It was released in the United Kingdom as the third from A Rush of Blood to the Head, where it reached number nine in the. It was released in the United States as the album's second single, it reached number 29 on the and number 9 on the chart. It won the for. Contents.
Background and writing 'Clocks' was written and composed during the late stages of production of 's second album,. A popped into 's mind late one night in Liverpool when he came into the studio, where he then developed it on piano. According to Martin, 'Clocks' was inspired by the English rock band. Martin presented the riff to the band's guitarist, who then added a layer of to the basic track: 'He picked up his guitar a sure sign that he likes a song and played these brilliant chords. It was like a chemical reaction process.'
Before writing and composing 'Clocks', the band had already written 10 songs for the album. However, because A Rush of Blood to the Head was nearing completion, they thought it was too late to include the new song on it. Hence, they recorded a and saved it with other unfinished tracks, labeling it 'Songs for #3'; the band intended these tracks for what would be their third album. By June 2002, Coldplay were ready to present the new album to their record label. However, Martin felt it was 'rubbish'; they were so far from being completely satisfied with the album that both the band and Parlophone delayed the release.
After a headlining tour, Coldplay went on working 'Songs for #3'., the band's manager and a friend of Martin, heard it and pressed him to rework 'Clocks' immediately. Harvey pointed out that, with its lyrics that speak of urgency, its meaning contradicted Martin's idea of stashing the track. Thus persuaded by Harvey, Martin then further developed 'Clocks', while other band members supplemented his work with their ideas based on the main piano track, adding and drums. Coldplay recorded the song very quickly because the schedule of A Rush of Blood to the Head had already been delayed; the album was released two months later. Composition.
Coldplay performing 'Clocks' on the The song received acclaim from., in his review of the album for magazine, said that 'guitarist Buckland shines in excellent psychedelic rockers such as. Bagaimana cara mendownload sebuah file dari halaman web. ' David Cheal of said that 'Clocks' features a 'hypnotic piano riff, a pounding, almost frantic rhythm, and a contagious tune, all building to a gorgeously serene climax with Martin's floaty voice singing.' Scott Floman, music critic for magazine, described the song as 'a stunningly pretty piano rocker, absolutely perfect and is simply one of the finest songs of the decade.' 'Clocks' won the at the.
It was nominated for Best Single at the 2003. 'Clocks' was ranked at number 68 on Pitchfork's Top 100 Singles of 2000-04. It was ranked at number 155 on 's 500 Greatest Songs of the 2000s list. In October 2011, placed it at number 148 on its list '150 Best Tracks of the Past 15 Years'. In February 2013 the song was voted by listeners of BBC Radio as the greatest song released during the 10 years the station had been broadcasting. The single was successful in radio throughout 2003 and appeared on several singles charts worldwide.
In the United Kingdom, the song peaked at number nine and in the United States rose to number 29. It also reached number seven in Canada and number 28 in Australia. Legacy 'Clocks' has been regarded as one of the finest achievements of Coldplay. The song's piano progression remains the band's signature creation. Use odin to unlock phone.
According to, the opening piano of 'Clocks' have been widely. Also, many of the songs in feature influences from 'Clocks'. Brian Cohen of magazine noted that 'Clocks' served as a 'launching pad' for songs featured in X&Y, 'several of which echo that track either in structure or feel.' ', the first single from Coldplay's third album, X&Y, is similar to 'Clocks', in that the two songs have the same descending chord progression. According to The New York Times, American singer 's 2008 single ' 'breathes life into the overfamiliar piano line' from 'Clocks'. The song 'Should I Go' by American singer, from her album, samples the piano riff of 'Clocks', as does Mexican singer 's 2007 single 'Te Voy A Perder'. In 2009, French DJ in collaboration with released the song ', which has a piano introduction like that of 'Clocks'.
A riff similar to 'Clocks' was also used for the 2009 song ' by Chicagoan hip hop artist and featuring. An analogous riff can also be heard in the DJ Cahill Remix of the song. Rolling Stone ranked 'Clocks' No. 490 of in 2010. Usage in media Throughout 2003, 'Clocks' was featured in various commercials, movies and television programs: from the BBC using a sample to advertise Freeview TV, promos featuring the return of American, the 2002 Irish, and an episode of the American. The song was played in its entirety during the ending credits for the 2003 film and was also featured in the TV shows, and.
In late 2003 the song was used in a trailer for the movie. It was also used in the 2006 Disney film, the 2010 Lionsgate film and the 2014 film. Reworked versions and remixes A number of versions and remixes of 'Clocks' exist. Norwegian duo made a remixed version of the song, pressed on a limited edition of 1000 vinyl records, 100 of which were made available through the band's official website. The version placed fifth in the (the original version of the song placed 69th ).
singer, together with producer, sampled 'Clocks' in 2004 for her song 'Should I Go' on her fourth studio album. Chinese all-female group released a cover of this song on their 2004 album. A remixed cover of the song is included on the soundtrack of the 2007 video game for the console. The song, albeit with altered lyrics, appears in the episode 'Twanging Your Magic Clanger'. Live versions appeared on Coldplay's, (2009), and. A version of the song in the style of appears on the 2006 album.
A further version based on the 2006 Rhythms Del Mundo version was released as part of the 2010 album Revival. It features 'Lele' of. Track listings 7', 12', CD No. Title Length 1. 'Clocks' 5:09 2. 'Crests of Waves' 3:39 3.
'Animals' 5:32 DVD No. Title Length 1.
'Clocks' (video edit) 4:18 2. 'Politik' (live and photo gallery) 3. 'In My Place' (live) 4. 'Interview footage' Japan Enhanced EP No. Title Length 1. 'Clocks' (Edit) 4:13 2. 'Crests of Waves' 3:39 3.
'Animals' 5:32 4. 'Murder' 5:37 5.
'In My Place' (Live) 4:03 6. 'Yellow' (Live) 5:13 7. 'Clocks' (Video) 4:18 8. 'In My Place' (Video) 3:48 Netherlands Limited Maxi single No. Title Length 1. 'Clocks' (Edit) 4:13 2.
'Politik' (Live) 6:53 3. 'Shiver' (Live) 5:26 4. 'Daylight' (Live) 5:58 5. 'Clocks' 5:09 6. 'Trouble' (Live) 5:43 7.
'The Scientist' (Live) 5:18 8. 'Green Eyes / Mooie Ellebogen (Live)' (Live) 5:16 9. 'Clocks' (Live) 5:31 10. 'In My Place' (Live) 3:51 11.
'Everything's Not Lost' (Live) 8:47 12. 'Yellow' (Live) 4:44 Official remixes.
'Clocks' ( Trembling Heart Mix). 'Clocks' ( Remix).
'Clocks' ( Mix). 'Clocks' ( 'I Gotta Thank You' Mix). 'Clocks' ('s Cosmos Mix). 'Clocks' ( Remix). 'Clocks' (David X Mix) Charts and certifications. Charts Chart (2003) Peak position Australia 28 Belgium ( Flanders) 2 Belgium ( Wallonia) 7 Brazilian Singles Chart 41 Canada 7 France 65 Germany 50 Ireland 15 Italy 24 Netherlands 2 New Zealand 13 (Official Charts Company) 10 Switzerland 71 (Official Charts Company) 9 US 29 US ( ) 1 US ( ) 4 US ( ) 9 US ( ) 31 US ( ) 21 Year-end charts Chart (2003) Position Netherlands (Single Top 100) 30 New Zealand (Recorded Music NZ) 42 U.S. Billboard Hot 100 81 Certifications Region Certification /Sales Italy Platinum 50,000 United Kingdom Gold 400,000 United States Gold 500,000 ^.sales figures based on certification alone ^shipments figures based on certification alone sales+streaming figures based on certification alone References.
Rolling Stone. Retrieved 2011-09-07. November 2002. Archived from (PDF) on 8 August 2006. Retrieved 2006-12-19. ^ Wiederhorn, Jon (2004-02-02). Retrieved 2008-07-13.
^ Webb, Robert (2008-07-24). Retrieved 2016-11-21.
Buena Vista Social Club Songs
^ Sheffield, Rob (2002-08-26). From the original on 19 April 2008. A few billion square tiles for mac. Retrieved 2008-07-18. Sanneh, Kelefa (2002-08-14).
The New York Times. Retrieved 2008-07-18. ^ Pareles, Jon (2005-06-05).
The New York Times. Retrieved 2008-07-18. ^ Wilson, MacKenzie.
Macrovision Company. Retrieved 2008-07-14. musicnotes.com. Retrieved 2017-04-27.
Archived from (PDF) on 14 May 2005. Retrieved 2006-03-08.
Wiederhorn, Jon (2002-10-15). Retrieved 2008-07-15. Cheal, David (2006-10-12). 'Perfect Playlist: Coldplay'.: 030.
Retrieved 2012-12-28. Leopold, Todd (2004-02-09).
Retrieved 2008-07-12. Brandle, Lars (2003-09-25). Nielsen Business Media, Inc.
Retrieved 2006-03-08. Retrieved 2009-05-21.
Buena Vista Social Club Lyrics
Retrieved 2011-08-25. Retrieved 2012-12-28. Retrieved 2008-07-13. Whitmire, Margo (2005-04-28). Nielsen Business Media, Inc.
Retrieved 2008-07-13. Nielsen Business Media, Inc. Retrieved 2008-07-13. ^ Gaston, Peter (2005-05-20).
Retrieved 2006-03-08. Cohen, Brian (2005-03-14).
Nielsen Business Media, Inc. Retrieved 2006-03-08. Archived from on 24 December 2007. Retrieved 2006-12-19. Sanneh, Kelefa (2007-11-26).
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Retrieved 2011-09-07. Pepper, Tracey (2003-12-03). Retrieved 2006-03-08.
Retrieved 2008-07-10. Retrieved 2008-07-13. Retrieved 2008-07-13.
Live 2003 (DVD). Capitol Records and Parlophone. Kreps, Daniel (2009-05-01).
Archived from on 8 July 2009. Retrieved 2009-05-21. Retrieved 28 May 2016. 27 July 2010.
Buena Vista Social Club Full Album
Retrieved 28 May 2016. Retrieved 15 May 2014. Retrieved 15 May 2014.
' (in Dutch). ' (in French).
6 October 2001. Retrieved 1 April 2014. Retrieved 12 February 2018.
' (in French). ' (in German). PhonoNet GmbH. Retrieved 12 February 2018.
Buena Vista Social Club Lyrics
' (in Dutch). Retrieved February 11, 2018. Recorded Music NZ.
Retrieved 12 December 2017. Retrieved 22 October 2014. (in Italian). Retrieved 28 August 2017. Retrieved 13 January 2017. Enter Clocks in the search field and then press Enter. Retrieved 1 November 2014.
If necessary, click Advanced, then click Format, then select Single, then click SEARCH External links. at. '. by (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, ) featuring engineered/mixed by David Thoener, produced by (2000) '. by (, ) engineered/mixed by Richard Rainey &; produced by & (2001) ' by (, ) engineered/mixed by Richard Rainey &; produced by & (2002) '. by engineered/mixed by Jay Newland; produced by, Jay Newland & (2003) ' by (, ) engineered/mixed by, & Mark Phythian; produced by & (2004) ' by and engineered/mixed by, Mark Fleming, & Terry Howard; produced by John R. Burk (2005) ' by (, ) engineered/mixed by & Doug McKean, produced by & (2006) '.
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In March 1996 the London-based record label World Circuit arranged a recording trip to Havana, Cuba. In just over two weeks three albums were recorded*. All three were released to great critical and public acclaim. The third album, ‘Buena Vista Social Club™’ was released in June 1997 and has since come to be regarded as a classic, selling 8 million copies worldwide.
Juan de Marcos González, the founder of the Afro Cuban All Stars and Sierra Maestra, had a long cherished dream of recording the music of Cuba’s golden era, the 1940s and 1950s, with the original musicians of that time. This was a dream that he shared with Nick Gold, the owner of World Circuit. Together they planned to record a collaboration between a number of African and Cuban guitarists. Gold invited Ry Cooder to participate, the two having worked together before on Ali Farka Toure’s Grammy Award-winning ‘Talking Timbuktu’ (WCD040). Cooder replied within hours saying he would be there. The Africans failed to make the trip but recording went ahead anyway.
Buena Vista Social Club Wiki
‘Buena Vista Social Club’™ is both the name given to this extraordinary pool of musicians and the album, recorded in just six days in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club™ would become a worldwide phenomenon, outselling any other record in the same genre, elevating the artists to superstar status and popularising Cuba’s rich musical heritage, all of which has contributed to a massive boom in Cuba’s tourist and recording industries.
The album has an intimate, natural charm that comes from musicians totally at ease with other, sharing a deep passion and understanding for the music, playing a repertoire suggested by themselves. Arrangements and instrumentation were worked out during recording according to the feel of the individual songs, and the vast majority of the performance was recorded ‘live’ in one or two takes.
The album features the vocals of septuagenarian Ibrahim Ferrer, a star from the 1950s who was literally called in off the streets on the first day of recording after years of musical inactivity . Also on vocals is the only woman on the album, the great bolero singer, Omara Portuondo “the Edith Piaf of Cuba” (Cooder). Omara happened to be in another studio rehearsing and Cooder invited her upstairs to record. On piano is the brilliant Rubén González veteran of Arsenio Rodríguez’s early 1940s band whom Cooder describes as “the greatest piano soloist I have ever heard in my life.” On guitar and vocals is Eliades Ochoa the great country musician who was flown in for these recordings from Santiago in the east of Cuba. The oldest musician on the album is the 89 year old giant of Cuban music, guitarist and vocalist Compay Segundo. According to Cooder, “the whole album turned on Compay. He was the fulcrum, the pivot. He knew all the best songs and the way to do them. Well, he’s been doing them since World War One.”
These featured musicians are joined by a host of Cuba’s greatest players including Orlando ‘Cachaíto’ López on bass, Manuel ‘Guajiro’ Mirabal on trumpet, and the percussionists from the band Sierra Maestra.
The album includes an extraordinary variety of Cuban styles from the city sounds of Havana to the country style of Santiago and the songs cover a range of the island’s history, from ‘La Bayamesa’ written in 1869 to ‘Chan Chan’, a recent composition by Compay Segundo.
The enthusiasm that surrounded the Buena Vista Social Club™ album soon became apparent. and the charm of the music inspired Wim Wenders to make a film about these amazing musicians. Shot mainly in Cuba, the film also features concert footage from the group’s only performances in the Carré Theatre, Amsterdam and Carnegie Hall, New York. The film has delighted audiences around the world and has contributed to the extraordinary success of this project, and the re-emergence of some of Cuba’s finest musicians.
Buena Vista Social Club Wikipedia
The Buena Vista Social Club™ phenomenon has transformed the careers of Rubén González, Ibrahim Ferrer and Omara Portuondo who have continued to record with World Circuit. Under the title of ‘Buena Vista Social Club™ presents…’ the three stars have each released their debut albums for the label and have all achieved huge success.**
Buena Vista Social Club Music
‘Buena Vista Social Club’ ™has a timeless quality. This is a music that transcends the vagaries of mere fashion and an album which is destined to be regarded as a classic for years to come.